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1. What�s been your favourite project to work on? Ramarajan R:�My recent favourite project that I worked on is �Extraction 2�.� 2. Please share your experience working on �Extraction 2�. Although the final output lasted around 5 minutes, the behind-the-scenes effort was extensive. We tackled a challenging climax rooftop action sequence with heavy motion and complex interactions, requiring intensive camera tracking and rotomation. The project comprised over 100+ shots, mainly focusing on the protagonist, Chris Hemsworth. Meeting the client�s expectations for perfection in a short timeframe demanded a significant amount of manual work, especially given the extensive CG elements involved. It was truly a one of a kind experience.� 3. What does the day-to-day work of a Match-Move supervisor involve? Ramarajan R:�We engage in client bidding, determining the necessary assets and resources for the project, and formulating a detailed action plan for seamless execution.� We keep a track record of the work and effectively communicate with the client throughout the project. Also, for every plan A, we keep ourselves backed up with a plan B. 4. What advice would you give someone looking to get into this industry? Ramarajan R:�For those aspiring to enter this industry, my advice is to adopt a high level of ambition. Taking the practice of preparing for the future is very crucial for all. 5. What are your predictions for the world of VFX in 5 years? Ramarajan R:�Over the next five years, the VFX industry is set to undergo a positive transformation. AI will proactively drive technological advancements, empowering professionals to harness its capabilities for more efficient and innovative workflows. Talent acquisition will prioritize future-oriented skills, creating opportunities for individuals to thrive in this dynamic industry. The increasing role of AI is expected to complement traditional manpower, fostering a collaborative and advanced VFX environment. Embracing skill development and multitasking will be key for professionals to excel and contribute to the industry�s positive evolution. Now, a Rapid Fire Session� 1. What is your favourite movie? Ramarajan R:�The movie �Terminal� holds a special place for me, making it my personal favourite. 2. Any pets? Ramarajan R:�No, I don�t currently have any pets. But in the long run, I�m willing to own one. 3. If you could give one piece of advice to your younger self, what would it be? Ramarajan R:�Believe in yourself � that�s the advice I�d share with my younger self. 4. If not Chennai, where? Ramarajan R:��If not Chennai, I would consider relocating to Bangalore or Salem. 5. If Hollywood made a movie about your life, who would you like to see cast as you? Ramarajan R:�For a Hollywood portrayal of my life, I�d envision Tom Hanks playing my character. 6. What�s the one thing you always keep on your desk? Ramarajan R:�Headphones are a constant on my desk, essential for focus and productivity. 7. You can eat one thing for the rest of your life � what is it? Ramarajan R:�If I could eat one thing for the rest of my life, it would undoubtedly be Biryani. 8. Favourite way to relax? Ramarajan R:�I find my favourite way to relax is spending quality time with my kids. 9. If you could go anywhere in the world, where would you go? Ramarajan R:�Given the choice, I would love to explore the beautiful landscapes of Tibet. 10. Finally, what are three words you would use to describe BFS? Ramarajan R:�Perseverance, determination, consistency�these are the defining characteristics of BFS.

Welcome, VFX enthusiast, to the inside tour of a growing VFX Studio in India � Basilic Fly Studio. The fact that you�re reading this right now makes you a person fascinated by Visual effects. Just like us!� Before we step in, let us tell you what we do.� There�s nothing we can�t create. A bomb blast, a big purple alien who destroys half the universe (Yes, we worked on Avengers: Endgame), a blue planet full of blue aliens (Got the hint?). Let�s stop there. In short, we enhance the visual impact of movies, television shows, OTT, and commercials. We create realistic-looking environments and characters. Furthermore, we help filmmakers bring imaginary content to life, enabling them to display their ideas in ways previously impossible. If you�re curious, here are some of our favorite movies we worked on � Spider-Man: Far From Home, Alice Through the Looking Glass, Alita: Battle Angel, Gemini Man, John Wick: Chapter 4, Deadpool 2, Thor: Love and Thunder & Rampage. We have contributed to 800+ movies, 4500 episodics, and 8000+ commercials.�Check out this section�to know more.� Inside Basilic Fly Studio � A Tour We�re standing outside the doors of Basilic Fly Studio�s office in Chennai. Upon entering, a warm greeting awaits from a friendly face at the front desk. Glancing around the foyer, you�ll notice a stylish logo to the left, while to the right lies an admirable photo collage. Soon, Prabhakar, the Head of Studio accompanies us. With a decade of experience among many VFX studio in India, his expertise shines through. Prabhakar brims with enthusiasm as he ushers us through the tour.� Our journey begins with a sprawling open workspace where artists engage in light-hearted conversations, working on their craft. The strategic layout ensures that workspaces remain hidden from view, preserving the confidentiality of ongoing projects. While a series of offices flank the outer perimeter of the floor, the focal point is a multitude of pristine desks adorned with computer monitors sprawl across the area. The desks are organized into distinct zones to accommodate various departments � Roto, Paint, Matchmove, Comp and CG. Notably, we spot an artist tending to individual strands of an actor�s hair, underscoring the dedication to detail. As we continue walking, we see producers assess the progress achieved thus far, collaborating with artists to fine-tune scenes as needed. Down the corner, a relaxing collaboration room with ample sunlight greets us. A hub of creative relaxation The room is thoughtfully designed with comfortable seating and ambient lighting that reflects the company�s artistic spirit. In one corner, a well-maintained carrom board invites artists to take a break and engage in friendly matches, fostering healthy competition and team bonding. Further, the snooker table urges us to test our reflexes.� The collaboration area also features a cozy lounge space with couches, creating an inviting atmosphere for conversations and brainstorming sessions. Ultimately, this collaboration area goes beyond just a place for games � it�s a crucial part of the company�s culture, fostering connections, encouraging teamwork, and helping artists recharge their creative energies. High-profile Projects To know more about BFS� journey as a notable�VFX studio in India, we turn to Prabhakar who reveals the most challenging projects of all time. �In the realm of visual effects, where imagination and technology converge, the journey from concept to screen is a testament to skill, innovation, and sheer determination. For a growing VFX company like ours, every project is not just a canvas to showcase our expertise, but an opportunity to surpass challenges and redefine creative boundaries.� � Prabhakar dives into the intricate narratives. The Legend of Hercules (2014): Crafting mythology with pioneering techniques Marking our debut in the world of visual effects, �The Legend of Hercules� catapulted us into uncharted territories. As we embarked on this journey in 2013, excitement and determination fueled our efforts to create something extraordinary. The narrative, rich in depth and mythology, centered around the enigmatic Son of Zeus. The challenge lay not only in the storytelling but also in the technical complexities that accompanied it. With a tight timeframe of three months, we undertook the task of delivering over 350 shots that would seamlessly integrate into the larger cinematic tapestry. What set us apart was our pioneering use of the Native Stereo technique across all departments � Roto, Paint, Matchmove, and Comp. This innovative approach positioned us as trailblazers in the field, with our studio being the sole Indian vendor amidst established US counterparts. Our team of 35+ artists displayed unwavering dedication, harnessing their skills to breathe life into this epic narrative. The end credits of the movie showcased their names � a testament to their contribution to the visual spectacle. �The Legend of Hercules� not only marked a remarkable beginning for us but also symbolized our commitment to innovation and excellence. Alice Through the Looking Glass (2016): Navigating fantasy realms The enchanting world of �Alice Through the Looking Glass� beckoned us to embark on a visual odyssey of another kind. With over 2500 shots awaiting our creative touch, we confronted the challenge of integrating high-complexity VFX into a star-studded, fantasy-laden cinematic masterpiece. The project�s intricacy was intensified by the fact that 90 percent of the movie was intertwined with our work, posing a formidable line to tread. Despite our relatively young age VFX studio in India � just 2-3 years old � we embraced the complexities head-on. Our team navigated the challenges of simultaneous projects while consistently meeting quality benchmarks. Working with blue screens as the basis for most shots, we tackled removals, prosthetic additions, and transparent object integrations with unwavering resolve. As the film�s vibrant universe came to life, our artists left an indelible mark on its essence. Their dedication and creative prowess resonated through each frame, earning them a place in the end credits � a testament to their artistic contributions. Alita: Battle Angel (2019): Merging realities with precision The visionary minds of Robert Rodriguez and James Cameron converged in �Alita: Battle Angel,� presenting us with a monumental task that

1. Could you share the story of how you entered the world of VFX? My passion for drawing led me to pursue a Bachelor of Fine Arts (BFA). After completing my degree, I got into the creative field of Visual Effects (VFX), starting in Digital Matte Painting (DMP). It�s been a journey of dedication and perseverance, and I�ve been fortunate to contribute to over 500 films. Each project underscores my passion for creativity and the potential of VFX. It makes me want to keep being creative and pushing the limits in my craft. 2. What aspect of your role brings you the greatest sense of joy? Being Head of the Department of Prep, some key responsibilities that bring joy are as follows.� Mentoring and guiding aspiring artists within the department, witnessing their growth, and seeing their contributions elevate the overall quality of projects. Leveraging the latest technologies and advanced tools to continuously enhance our workflows and final output at Basilic Fly Studio, ensuring that we maintain our position as a leader in the industry. Collaborating with talented teams to solve creative challenges, finding innovative solutions that push the boundaries of what�s possible in VFX prep. Seeing the final product on the big screen, knowing that my contributions have helped shape the immersive worlds that captivate audiences and leave a lasting impact. In my view, artists represent one aspect, while production serves as another. Both are equally important to me. 3. Among the projects you�ve worked on, which one stands out as your favorite? All the projects I�ve worked on hold a special place in my heart. Each one has contributed to my growth and provided unique experiences. However, if I were to highlight a few favorites, they would include three Oscar-winning films. Additionally, I�ve been privileged to contribute to acclaimed projects such as Avatar, Aquaman, She Hulk, Antman Quantum Mania and few installments of the Spiderman, Suicide Squad, Dead Pool, Dustbunny, Furiosa Mad Max Saga, Breaking Point, Onelife, and Orphan. Each of these projects has not only enriched my career but also provided invaluable lessons and experiences that have shaped my journey in the world of VFX. 4. Could you describe the typical tasks and responsibilities of a Head of Prep on a day-to-day basis? As HOD Prep, my day to day activities includes Overseeing the execution of Prep-related tasks, ensuring consistency and quality across projects, Providing guidance and support to the Prep team, resolving any issues that arise during production, Collaborating with other department heads to ensure seamless integration of painted elements into the overall VFX pipeline, Managing schedules and resources to meet project deadlines and client expectations. 5. If someone were aspiring to enter this industry, what advice would you offer? Focus on building a strong foundation in both artistic skills and technical knowledge like perspectives, colouring, anotomies etc, as these skills are key for the VFX industry. Stay up to date on the latest trends and technologies, continuously honing your craft to remain competitive in the field. Network with professionals in the industry, seek mentorship opportunities, and be proactive in seeking out internships or entry-level positions to gain hands-on experience. Embrace challenges and setbacks as opportunities for growth, and never stop learning and pushing the boundaries of what�s possible in visual effects, aligning with the innovative spirit that defines Basilic Fly Studio�s approach to projects. 6. What do you envision for the future of VFX in the next five years? In the next five years, I see VFX progressing rapidly, bringing even more realistic and immersive effects to movies, TV shows, and media. At Basilic Fly Studio, exciting innovations are on the horizon. I anticipate greater integration of VFX in virtual reality (VR) and augmented reality (AR), creating new ways for audiences to engage with storytelling. Technological advancements are also expected to simplify production processes, making top-tier visual effects more accessible across various industries and for creators worldwide. Rapid Fire questions: 1. If you could have dinner with any celebrity, living or dead, who would it be? Dr. A.P.J Abdul Kalam 2. What�s your favorite way to unwind after a long day? Listening to music & some time with a long walk. 3. If you could give one piece of advice to your younger self, what would it be? London 4. How do you spend your weekends? At home mostly, playing with my kids. 5. Finally, Describe BFS in three words. Innovative, Supportive, Ethical.