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In the blockbuster movie universe, visual effects (VFX) are not an afterthought�but a key component that takes the story to the next level, immerses audiences, and gives fantastical worlds existence. Force behind some of the most resplendently glorious films in recent history such as Avatar: The Way of Water and Spider-Man: No Way Home is Basilic Fly Studio (BFS), a VFX behemoth whose talent has become synonymous with cinematic grandeur. What they do in such colossus productions is reflective of their passion for quality, inventiveness, and technology that never sleeps. The Genesis of Basilic Fly Studio Established in 2012, Basilic Fly Studio (BFS) began a small VFX studio in Chennai, India. With just a few dedicated artists and engineers, the studio began the journey of establishing its name in the constantly rising visual effects industry. BFS was conceived out of a common dream: to design superior visual experiences through a combination of technical expertise and innovation. Initially, their work on their project in the field spoke for itself, but it was their resolve and perseverance that enabled them to achieve international heights. From the time it was established, BFS’s growth trend has been nothing less than miraculous. From a small team of extremely gifted artists, the studio grew into a mighty battalion of more than 500 experts. Currently, it has bases in several different locations across the world, such as Pune, London, and Vancouver, all with cutting-edge studios that specialize in different stages of VFX work. From its modest roots to the top of global recognition, BFS’s journey is that of commitment, constant learning, and an forever unsatisfied quest for perfection. Since their work soon caught the attention of Hollywood studios, BFS quickly emerged as one of the leading go-to VFX partners with some of the biggest players in the industry. Immersing in Pandora: Avatar: The Way of Water When James Cameron released Avatar back in 2009, it revolutionized the face of film visual effects, especially with regard to 3D and motion capture technology. Fifteen years down the line, Avatar: The Way of Water did it again, thanks to its pioneering underwater shots and motion-capturing, awe-inspiringly realistic rendering of Pandora’s alien environments. As a principal partner at this trailblazing film, BFS created some of the most iconic visuals of today’s cinema. Underwater Simulations: Crafting Realistic Water Dynamics One of the things about Avatar: The Way of Water was its water world, powered by advanced fluid dynamics and stunning oceanic landscapes. For BFS, the technical challenge of simulating water was less about science�so much as a piece of art. The studio employed cutting-edge fluid simulation technology to produce realistic water behavior responding to environment and characters. Whatever was the soft ebb and flow of the sea or the turbulent motion of sea monsters, BFS’s team worked round the clock to make sure that every ounce of water added up to the movie’s atmospheric input. It was not a straightforward task. The studio duplicated the physics of water�its flow, reflection, refraction, and diffusion of light�and the added challenge of doing so as realistically as humanly possible. Using advanced software such as Autodesk Maya and SideFX Houdini, BFS was able to create visually spectacular and physically realistic underwater simulations, allowing filmic underwater action to achieve an unprecedented level of realism. Creature Design and Animation: Bringing Pandora�s Fauna to Life Of the most enchanting aspects of Avatar: The Way of Water was Pandora’s creatures’ realism and diversity. BFS’s role in bringing these monsters to life wasn’t just in concept design but ensuring that they moved and interacted with their environment in a realistic way. The studio’s best animators poured hours into each animal�great and small�and worked tirelessly in observing how living animals move and act so they could make the movement of every creature look genuine. For example, BFS delivered organic, smooth animation for the creatures that inhabit the oceans of Pandora and the otherworldly fauna that inhabit its dense forests. Their detail gave these creatures an organic look to integrate seamlessly with the live-action footage and the human characters themselves in a natural way. BFS’s creature work was key in creating Pandora’s world, immersing and filled with wonder. Environmental Effects: Crafting the Atmosphere of Pandora BFS was also extensively used for the visual effects of Avatar: The Way of Water. That included the dynamic weather system, foliage dynamics, and atmospheric lighting that defined Pandora’s otherworldly environment. With utmost care, the team simulated the way wind passed through the dense alien forests, how bioluminescent plants reacted to light, and the floating clouds that rested on the horizon. These effects of the environment added an extra layer of richness and verisimilitude to the film, to such an extent that every frame appeared to be a living environment. Their integrating these effects into the final movie required exact compositing, where each of the visual elements�the live-action photograph, the CGI models, and the environment effects�is composed together in synchronization. BFS’s know-how and skill in business made the end product coherent, where each piece cooperated together to completely surround the viewer within Pandora. Web-Slinging into Multiverses: Spider-Man: No Way Home Spider-Man: No Way Home was a titanic film for the Marvel Cinematic Universe not merely because it was bringing together distinct generations of actors playing Spider-Man, but in the way in which it embraced the multiverse idea with eye-popping aesthetic splendor. BFS’s contributions to the existence of such an achievement as the film turned out to be crucial in the convergence of the multiple Spider-Man realities. Their task was to provide enormous areas of expertise, ranging from creating magical portal effects to integrating CGI characters into live-action movies. Portal Effects: A Window Into the Multiverse Maybe the most enduring aspect of Spider-Man: No Way Home was its use of magical portals through which characters would journey from parallel universes. BFS also created and animated the portals, which not only would have to look incredible but would need to have some idea of what type of tone the

In the fast-paced world of visual effects (VFX), achievement of one has been a hallmark of vision, determination, and the power of imagination�Basilic Fly Studio (BFS). Life began for BFS in a humble Chennai office in the year 2013. Today, it is a VFX industry world giant, creating fantastic visual effects for some of the world’s largest blockbuster films and popular television shows. This blog will guide you through the incredible journey of BFS, from humble beginnings to market leadership in the international VFX industry. Humble Beginnings: The Birth of a Vision The journey of Basilic Fly Studio started with its founder, Balakrishnan R, an entrepreneur who saw the untapped potential of the Indian VFX industry. Balakrishnan and a team of 5-6 artists began in Chennai in 2013 with the vision of establishing a VFX company that could provide world-class quality at competitive costs. While the Indian VFX industry was yet to make its debut, BFS was one of the early movers who had the vision to play at the global level. Basilic Fly, the very name, was inspired by the humble honeybee colony’s collaborative, working-class attitude. That was made the motto of the studio’s modus vivendi�depending on collaboration, imagination, and tireless commitment to provide top-of-the-line visual effects. The initial period was not easy. It was difficult to secure assignments, and BFS had to fight it out with the big guns of the international market. But the dedication of the team to work and attention to excellence began to yield results. BFS soon got their first major job with the production of “The Legend of Hercules” in 2014, where the studio created more than 350 VFX shots within a span of three months. This was a watershed project for BFS, showcasing their capability to produce intricate visual effects on short notice, the start of a new epoch for the company. Overcoming Early Challenges and Securing Major Projects BFS’s initial years as a start-up business were not serene with issues common in start-up companies. As with all start-up enterprises, keeping cash coming, recruiting skill, and fighting the issue of deadlines were everyday issues. Nonetheless, the will of the team to deliver only finest quality work made it stand out among other startups within the industry. With the world’s hunger for high-quality VFX exploding, BFS subsequently witnessed expanding opportunities in Hollywood as well as abroad. BFS’s greatest moment was when it started collaborating with some of the largest film studios and streaming companies globally. The studio’s early forays into the global market started with The Legend of Hercules and kept accelerating with massive Hollywood productions like Avengers: Endgame and Avatar: The Way of Water. These partnerships provided BFS with priceless experience in the most ambitious VFX productions, enabling them to expand voluminously in terms of size and expertise. The studio’s reputation for delivering the best in VFX in stringent deadlines quickly caught the eye of the likes of Netflix, Amazon Prime Video, and the rest of the streaming giants, where the requirement for digital content�and by association, top-drawer VFX�was reaching dizzying levels. With the increased faith placed upon it, BFS diversified its kitty with some work on such world-acclaimed productions as Stranger Things and The Mandalorian. Scaling Up: A Global Presence and Strategic Expansion With BFS rising to fame for its quality visual effects, the company started growing to cope with the increasing demand. The next big expansion in their careers was an enlargement of their talent pool and infrastructure. BFS grew its operations in order to handle its expanding workload with new offices in Pune, London, and Vancouver. These sites enabled BFS to draw from pools of talent that were different from one another and provide localized services while maintaining the high quality standards that had established them as a global player. This capability to offer world-class VFX solutions at competitive rates became BFS’s unique strength. While existing players were engaged in sustaining high costs during this period, BFS’s international expansion enabled them to offer low-cost solutions without compromising on quality. This helped them emerge as the preferred partner for customers globally. Technological advancement was another major driver of BFS’s growth. The studio adopted the newest VFX technologies, ranging from AI tools to real-time rendering engines, to keep BFS at the top. Through spending on advanced technology, BFS was able to take on more complex projects while maximizing efficiency. Strategic Acquisition and Strengthening of Global Influence In 2022, BFS made a huge leap towards world domination by acquiring a 70% stake in Emmy and BAFTA-winning VFX house One of Us Limited. The acquisition brought more than 900 top artists into their fold, further strengthening their capability and increasing their footprint in Europe, specifically London and Paris�two of the world’s top creative centers. With the acquisition of One of Us, BFS got access to even greater industry experience and spread its wings into more diverse services such as television and advertising. The acquisition was a strategic buy that was BFS’s increasing interest in the VFX sector. Building up in Europe and other creative hubs further boosted the studio’s capability to provide high-grade VFX services to blue chip clients and helped them extend their international partnerships. Groundbreaking Work on Major Film Projects During its career, BFS has contributed numerous high-profile VFX-heavy films and TV shows. Most prominently, work on Spider-Man: No Way Home (2021) demonstrated their capability to bring together parallel universes and complex VFX sequences. The success of the film was partly attributed to BFS’s capability to seamlessly integrate different Spider-Man realities, a task of enormous scale that called for a pool of experts and cutting-edge techniques. BFS’s work on the Avatar franchise also helped to solidify its international reputation. With Avatar: The Way of Water, BFS developed challenging underwater VFX sequences that demanded innovative simulation techniques. The VFX had to capture the movement and environment of underwater animals in a manner previously believed impossible. BFS’s capability to deliver such detailed work expanded the limits of what could be done in

Meet Kannan and Thamizh, the powerhouse artists at�Basilic Fly Studio, India�s leading VFX Studio! Their journey from budding talents to VFX maestros is a living testament to our studio�s unwavering commitment to artist training and growth. Starting as Roto artists, this duo sprinted to the top, leaving their mark on blockbusters like Avatar: Way of Water, Spiderman: No Way Home, and Thor: Love & Thunder. Perfect shots and unmatched creativity are their signatures. And guess what? They�re not stopping there; a new adventure in Concept Art awaits! Concept Art, you say? Hold onto your seats! At Basilic Fly Studio, we�re more than proud � we�re ecstatic � to host a family of dedicated and talented artists. We don�t just preach about pushing boundaries; we live it. Our commitment to training artists in cutting-edge domains is no joke. When we say top-class training, we mean it. Case in point:�Igor Staritsin�from Industrial Light & Magic, an expert in Concept Art, leading the charge. He�s a VFX veteran, with a rich experience of 16+ years, shaping our artists with his impeccable training. Not many studios venture into this realm, but we�re breaking barriers. We are proud that Basilic Fly effortlessly navigates the VFX industry as a versatile full-service company, and setting the International standards in the VFX Training arena. This is definitely just the beginning! Our artists � our treasure, they aren�t just creating; they�re pioneering. Hats off to our young dynamic duo, Kannan and Thamizh, for diving headfirst into this uncharted territory! But wait, there�s more! Kannan and Thamizh are just the tip of the iceberg. Brace yourself for a wave of talent, with others queued up for upskilling in their departments and beyond. Elankathir from the paint department is up next � his story�s about to unfold!

Basilic Fly Studio is a hub of artists from many cities in India. We love the diversity and take great measures to preserve it. This �Far from Home� series covers one such artist, shedding light on their experiences staying away from their hometown. In this edition, we interviewed Kuldeep Kumar, a junior compositor who comes from Agra, Uttar Pradesh. He started as a Jr. Paint Artist who worked as a Sr. Mentor and Trainer before taking up compositing. Now, let�s dive into a quick chat with Kuldeep to witness his adaptation to working away from home. 1. When did you come to Chennai? 2016. So, it�s been 7 years now. Before Chennai, I worked in Chandigarh. There, I previously worked as a stereo roto artist. 2. Favorite South-Indian food? Dosa and chutney. 3. Which Tamil word do you use most often? Machi. 4. Have you traveled anywhere in and around Tamil Nadu? Yes! So many places � Kanyakumari, Pondicherry, Rameswaram, and Mamallapuram. Each place is unique, and I love them all. 5. What�s the one thing that made you suffer in the initial days? It took some time for me to adapt to the food. Now, I cook my own food. However, compared to a few years ago, I could find many North-Indian restaurants now. 6. What do you love the most about Chennai? People are very welcoming. Tamilians are some of the most loving and compassionate people I have come across. Also, I feel that Chennai is one of the safest cities in India. 7. Have you had any challenging situations? Yes, I recall a few. I managed all of them quite easily. But, the Covid-19 pandemic was difficult. Thankfully, BFS� support got me through. I was given the WFH option for three months and got all the necessary facilities. My supervisors were helpful as well. Since there was no option to travel or spend time with my friends, I thought a lot about home. However, my wish to go back home was fulfilled during the second pandemic. During uncertain times, while manpower rationalizing took place across industries, management continued to leverage the financial and mental strength of BFSians. 8. Would you advise an aspiring VFX artist to take up a job and reside in a different city? Absolutely, they need to grab a good opportunity whenever presented. You have to take risks. Yes, it can be hard at times, but the rewards are worth it. I�ve grown in BFS due to my choice to move to another city. 9. Any habits/hobbies you developed in Chennai? Chennai is full of temples. You name any god, and he/she would have a temple here. I love to explore them, especially with my Tamil friends. I tag along with them, and sometimes they even act as a tour guide. 10. Which is your favorite movie you recently worked on? I would pick ��Dumb Money�� for which my name was included in the post-credits. This was achieved in collaboration with my Pune colleagues. 11. List any two projects where you worked on the challenges with ease. 1. In �Dumb Money,� split-screen compositing and retime artifacts took meticulous effort and dexterity to match the edit references, which turned out well as per the client�s expectations. 2. In another project, a mountain needed to be added to the live plate as a background. It was received as a wide-angle, well-lit shot with numerous trees and branches, making it challenging to blend with the mountains. This was resolved using collaborative discussions and executed with advanced compositing techniques. 12. To conclude, tell us what you like about Basilic Fly Studio. I�ve been with BFS for more than 7 years now. There has been multiple positives substantiating in my tenure, such as upskilling of creative abilities, friendly- fun work culture, and enjoyed mentoring the senior resources, have made my journey a success here.

Dan is an esteemed and prolific VFX Supervisor and Producer who brings around three decades of experience in all aspects of Visual Effects. Dan Levitan is a Los Angeles based Visual Effects veteran with decades of broad-spectrum production experience. Over 85 Feature Films, 100 Series Episodes, National Commercial spots and Special Venue Projects have provided a wealth of knowledge and problem-solving skills. He has managed everything related to VFX from Pre-Production through Final Shot Delivery and his film and television credits include Ambulance, Hacks, Hail Caesar!, The Hangover (Pt. 2 & 3), Veronica Mars, Sneaky Pete, etc. Over the course of his career, Dan has held several key positions in reputed companies including Disney, Dream Works, Warner Bros, Paramount/CBS, Hammerhead, Cinesite, FuseFX, and Psyop. In his new role, Dan will collaborate with top film and TV production networks to develop and produce cutting-edge VFX for their projects, ensuring that all projects are completed on time and within budget. He will also oversee the creation of stunning visual prototypes, foster strong client relationships, and keep the company at the forefront of VFX innovation by exploring new technologies and techniques. �We are thrilled to welcome Dan to our team,� said Balakrishnan. ��His extensive experience and deep knowledge of the VFX industry will be invaluable to us as we continue to grow and expand our business. We are confident that he will play a key role in our success as we continue to create cutting-edge VFX for some of the world�s biggest films.�� About Basilic Fly studio Basilic Fly Studio (www.basilicflystudio.com) is an award-winning visual effects company with operations in Chennai, Pune, Vancouver, London and Los Angeles. Delivering critically acclaimed work, the studio has won several awards including Indian Icon Awards for ��Company of the Year in Creative Media Solution��, Nation Wide Awards for ��Most Promising Company of the Year � 2023�� and Times Business Awards for ��Excellence in VFX & Post Production��. The company recently got listed in NSE-SME (India), Sept 2023 broke records with the highest number of oversubscriptions of 286 times and the highest ever fund procurement of $1.72 Billion.

To begin with, could you share with us your favourite movie projects? Lakshmanakumar S: I prefer working on action-oriented projects, such as FX-relevant shots requiring set extensions, incorporating special effects in fight scenes. I have contributed to various projects, including �Gangs of London� (2020) for Action FX, and most recently, �Dumb Money�. Please share your experience working on �Dumb Money�. Lakshmanakumar S:�Dealing with 550 shots was a big task. We tackled challenges like setting extensions for background changes, adding snow to rooftops, trees, and streets, and turning sunny environments into winter settings. Additionally, we worked on screen composition, featuring content and images on blank mobile and laptop screens. What guidance would you offer to someone aiming to enter this field? Lakshmanakumar S: I�d emphasize the importance of relentless learning. In the dynamic field of VFX, staying updated with the latest tools and techniques is crucial. Keep your curiosity alive, be open to exploring new ideas, and foster creativity in your approach. The more diverse your skill set, the more resilient and successful you�ll be in navigating the ever-evolving landscape of the VFX industry. Outside of the studio, how do you stay creative? Lakshmanakumar S: Beyond the studio walls, I indulge in a deep dive into movies and web series, dissecting their intricate VFX elements. This not only serves as a wellspring of inspiration but also sharpens my creative thinking. I actively practice and implement the insights gained from these visual experiences into my own projects, ensuring a continuous cycle of learning and innovation. It�s this blend of observation, hands-on experimentation, and real-world application that fuels my creativity and keeps it dynamic in and out of the studio environment. What are your predictions for the world of VFX in 5 years? Lakshmanakumar S: In the coming years, I believe there will be big advancements in how we create visual effects. Virtual production will change how movies are made, making the process more immersive and efficient. The use of Unreal Engine will also increase, making virtual environments look even more realistic. These changes are not just trends; they are the building blocks that will shape the future of the VFX industry. They will open up new possibilities for creativity and push the limits of what we can do in visual storytelling. For those in the VFX field, keeping up with these changes and adapting to new technologies will be important for success in the future. Rapid Fire questions: If not Chennai, where? Lakshmanakumar S: I�d prefer Malaysia. Malaysians are known for their hospitality and kindness. They are always happy to help visitors and make them feel welcome. It�s like a second home for me. You can eat one thing for the rest of your life�what is it? Lakshmanakumar S: That would be monotonous; I�d prefer to experiment with all cuisines for the rest of my life. Favourite way to relax? Lakshmanakumar S: Watching movies is my preferred way to unwind, allowing me to escape into different worlds and appreciate the art of storytelling. 2. If you could give one piece of advice to your younger self, what would it be? Be honest and loyal in your thoughts in any aspect, be passionate and mentor always. 3. If not Chennai, where? Ofcourse, Europe. 4. Favorite way to relax? Keeping Calm and being polite to everyone, spending more time with family and kids .� Finally, what are three words you would use to describe BFS? Lakshmanakumar S: Supportive, Good Environment and Collaborative.

1. Can you walk us through your journey into VFX? My professional journey involves acquiring relevant education, specializing in key software tools, building a strong portfolio through personal projects, internships, and continuous learning. I�ve actively networked within the industry, sought mentorship, and demonstrated adaptability to evolving technologies, with the ultimate goal of contributing creatively to the field of Visual Effects. 2. What brings you the most joy in your role? The most joy in your role is achieving project milestones, challenging problem-solving, collaborating with talented colleagues, and contributing to the successful completion of projects. I find satisfaction in the creative aspects of my work and the continuous learning opportunities that come with staying at the forefront of industry advancements. 3. What�s been your favorite project to work on? Few of my favorite projects are Venom, Deadpool, Hobbs and Shaw, Gangs of London, Dumb Money, Doctor Death, Orphan the first kill. All my projects were different and it was interesting, and it allowed me to further develop my skills and the success of the project solidified my passion for the VFX industry. 4. What does the day-to-day of a Head of Comp involve? As the Head of Comp, my day-to-day responsibilities typically involve overseeing the compositing department. This includes managing a team of compositors, collaborating with other department heads, ensuring the quality and consistency of visual effects shots, providing technical and creative guidance, liaising with clients, and overseeing the overall compositing workflow. Additionally, I am responsible for resource allocation, project timelines, Mentoring my ideas and techniques to all my teammates and colleague departments and staying abreast of industry trends to ensure the team�s work aligns with the latest standards and technologies in visual effects. 5. What advice would you give someone looking to get into this industry? My advice would be to focus on Education and Skill Development on VFX. Build a strong profile, stay updated on the latest trends, tools, and techniques in VFX. The industry evolves rapidly, and a commitment to continuous learning ensures you remain competitive and adaptable. Keep focus, passion, be a mentor for the upcoming generations once you are experienced in industry. 6. Outside of the studio, how do you stay creative? Outside of the studio, I find that traveling and experiencing diverse cultures contribute to my creative perspective, fostering a continuous flow of fresh ideas and inspiration. I always watch and listen to more inspiring speeches to keep me calm and active. 7. What is your favorite part about working for BFS? My Favorite part in BFS is the company�s commitment to innovation, positive work culture, HR Activities to make our mind and sense always relaxed, Friendly management in the aspects of approaching us, opportunities for professional development, the impactful projects and challenges that align with our career goals and values. 8. How did Basilic Fly Studio support you while you were working away from home? In the world of VFX, it�s reasonable to anticipate several developments over the next five years.� � Advancements in Real-time Rendering � AI and Machine Learning Integration � Virtual Production Techniques � New Creative Possibilities Etc. Rapid Fire questions: 1. What is your favorite movie? My Fav movies are City of God,Sherlock Holmes, Avatar, Steven Spielberg movies and a lot more. 2. If you could give one piece of advice to your younger self, what would it be? Be honest and loyal in your thoughts in any aspect, be passionate and mentor always. 3. If not Chennai, where? Ofcourse, Europe. 4. Favorite way to relax? Keeping Calm and being polite to everyone, spending more time with family and kids .� 5. Finally, what are 3 words you would use to describe BFS? B � Best F � Favorite S � Success

1. How did your VFX career journey lead you to become a Show Producer at Basilic Fly Studio? Becoming a Show Producer was a natural development in my career as a Production Management professional. I started as a coordinator at a very young Basilic Fly Studio in 2014 and then moved on to roles at Prime Focus and Mr.X from 2016 to 2020. These alongside working through the challenges of the COVID 19 pandemic greatly contributed to my professional growth. When the opportunity came to rejoin BFS, I eagerly accepted. I am proud to have witnessed the incredible transformation of BFS from a small team of 30 to a publicly traded company with over 450 employees and global offices. 2. Is there a particular project you�ve worked on that made you proud of yourself? Avatar 2! Being involved in a James Cameron epic was an unparalleled opportunity. At Basilic Fly, we were fortunate enough to contribute to over 200 shots. It was truly an incredible experience. 3. What key advice would you offer to someone aspiring to enter the VFX industry, specifically aiming for a producer role? As a producer, primary responsibilities include overseeing complex projects, coordinating between various teams, and troubleshooting any problems that may arise during production. It is important to develop and hone these skills in order to effectively handle multiple tasks, schedules, budgets, and deadlines. Beginning your career at the entry level will provide valuable exposure to the production processes, work alongside industry professionals, and learn the day-to-day operations of a VFX studio. It is crucial to possess effective communication, collaboration, and leadership skills to successfully manage teams, resolve conflicts, and maintain positive relationships with clients and stakeholders. Additionally, adaptability plays a key role in this dynamic industry, as being open to new technologies, techniques, and approaches will ensure your long-term relevance and value. 4. How would you describe the culture at Basilic Fly Studio? The culture at Basilic Fly Studio can be best described as creative, collaborative, and inclusive. It is a diverse and welcoming environment where individuals from different backgrounds come together to work on various artistic projects. There is a strong emphasis on creativity and innovation, with everyone encouraged to express their unique ideas and perspectives. Collaboration is highly valued, with the creative and production teams working together to bring out the best in each other�s work. The studio fosters a culture of continuous learning, providing opportunities for professional development and growth. Overall, the culture at Basilic Fly Studio promotes a positive and supportive atmosphere that inspires artistic excellence. 5. Can you describe a day in the life of a show producer at Basilic Fly Studio? Emails serve as the breakfasts of champions. I begin by checking my inbox and schedule at 9 am to ensure I am well-prepared for the 10 am production call. Following this, I collaborate with the production and creative teams, discussing both ongoing and new projects, addressing any issues that arise, initiating bidding sessions with the creative team, and coordinating with the department production teams to establish shot schedules. Clearing any doubts or queries that the team may have is also part of my responsibility in order to ensure timely deliveries. Additionally, I keep Shotgrid ETA�s up to date, participate in weekly meetings at both the studio and project levels, and promptly respond to client inquiries. �However, in the world of a show producer, calling it a day is often a challenge with clients in different time zones and emails constantly at our fingertips. Rapid Fire questions: 1. What�s the one thing you always keep on your desk? My water bottle. Always stay hydrated! 2. Last present you bought yourself? I bought myself a Kindle for Christmas last year. 3. If you could be any superhero, who would you be? Flash! So I can beat traffic and get to places faster! ? 4. What�s your favorite season of the year? Monsoon! 5. What�s a small thing that always makes your day better? A good cup of coffee or a beautiful sunrise/sunset. 6. Do you have any surprising hobbies? I love baking, gardening and reading. To try something new this year, I started an instagram page where I document my reading progress.

Home About Works Investors Blogs One of Us Contact X Contact 1. When did your journey to Chennai begin? 1st Jan 2022 when I shifted to Chennai from Mumbai and joined BFS. I have completed 2 amazing years and going on. Relocating to a new city and settling into a new job was a significant life change for me, and to embrace the opportunities and challenges that came my way. 2. What is your preferred South-Indian dish? Rasam Rice and variety on delicious Chutneys. 3. What Tamil word do you frequently use? Actually there are many frequent ones I use, starting with � What �DA�, Saptiya, Solunga, Polama, Nethiku, Inniku and Nalliku and many more, I am still learning. 4. Shruti, have you explored any locations within or near Tamil Nadu? I love Traveling!!! So, Yes a lot. Chennai and its surrounding areas offer a rich tapestry of cultural, historical, and natural attractions, making it an ideal place for a travel enthusiast. Have explored places like ECR Beaches, Mahabalipuram, Rameswaram, of course Pondicherry and many more nearby ones have provided with diverse experiences ranging from beautiful beaches to historical monuments and spiritual sites. And still exploring as there�s so much more to discover. 5. Can you share a difficulty you faced during your initial time in Chennai? Yes, adapting to a new place can indeed present challenges. Mainly, Language is still the main barrier which I think I�m coping up quite well now from the past one year. Secondly, it�s the food and the climate which I�m still struggling with as it�s significantly different from what I�m used to. It�s a process, and with time, one likely finds their own ways to navigate and enjoy these aspects of the new environment which I�m presently doing right now. 6. What aspect of Chennai do you find most appealing? Chennai beaches, Temples and the Richness of the culture. Each of these aspects offers a unique and enriching experience. Also, people are so helpful and welcoming. Building connections and friendships especially at the workplace has enhanced the overall experience. 7. Have you encountered any significant challenges? Again mentioning about the language barrier we encounter in our surroundings and can indeed present its unique set of challenges. The language barrier, at times, may create a sense of disconnection, making it seem like there�s an invisible barrier between. However, I have managed to cope up with that so far with the help and support of my colleagues and friends at BFS. 8. How did Basilic Fly Studio support you while you were working away from home? For more than a decade, I have been away from home. I started working in the VFX industry from 2013 in cities like Mumbai, Pune, Hyderabad and now Chennai. BFS has a friendly and supportive environment. Having amazing colleagues who double as friends has truly made a significant impact on my work experience and overall well-being and speaks volumes about sharing the positive relationships within the team and company. Their throughout support, understanding and belief in me and my work has given me immense courage and confidence to stay my ground and face challenges head-on. 9. Would you recommend that an aspiring VFX artist move to a different city for work? Yes Absolutely!! As it gives more exposure and the holistic nature of the learning experiences that comes with working in a diverse work environment. This exposure can broaden one�s horizons, enhance problem-solving skills, and contribute to professional growth. Working away from home often entails navigating various aspects of life independently. This includes managing finances, handling responsibilities, and adapting to a new lifestyle. These experiences contribute to personal development and provide valuable life lessons.Building relationships with colleagues from diverse backgrounds can create a strong professional network. These connections may prove valuable not only for your current role but also for future opportunities and collaborations. Adapting to different situations, interacting with people from various backgrounds, and facing uncertainties can foster resilience, adaptability, and a well-rounded personality. 10. Did you pick up any new hobbies or habits while in Chennai? More of Traveling for sure and Yes, making a habit of eating more South Indian food. Jokes apart, yes due to flexible working hours at BFS, it also allows me to focus and manage my personal time and well-being. I�m somewhere a fitness freak in nature and the flexibility in my working hours provides me with the opportunity to structure my day in a way that accommodates my fitness routine and ensures to stay committed and achieve my daily close to 10k steps goals, hahaha!! This is a valuable benefit that contributes to a healthier work-life balance. 11. Share with us your most recent film experience you enjoyed working on. So there was this one show with one of our esteemed clients where we got multiple pipeline requests to work on a critical challenging scope of work with a very tighter timeline and quality check. Here we as a team made some strategic moves to execute this show with the expected timeline while presenting and delivering the best output. During the whole show execution thing what I most cherish and enjoyed was the Planning and the Team work execution we have put through with all the positive approaches. The regular catch ups were the most fun thing we hadon this project. As a producer, I feel privileged to work with our amazing team and talented creatives supporting in the best way and leaving no stone unturned to make this show a successful completion. And lastly to get a great appreciation email from our client stating that everything went so smoothly for them and they were very happy with the quality of work and completed the show with the minimal versions before the timeline. 12. Could you share any project experience where you managed challenges with relative ease? Successfully delivering over 250 plus creatively challenging shots, we navigated a demanding timeline with finesse, garnering client appreciation. Despite the extensive workload, the